SANRIGO · ART
An internationally recognized photographic work, awarded in Rome, Dubai, India and Los Angeles, and published in the first Contemporary Photography Catalogue of Morton.
Edition 4/7 available now intimidate delivery.
"A qué nos acostumbramos" is one of the most recognized works within @sanrigo photographic practice.
The image reflects on the human capacity to normalize what once seemed unthinkable, creating a symbolic tension between the everyday and the unsettling.
The work has received international recognition and has been published and exhibited in multiple contexts of contemporary photography.
• First Prize — Roma Passpartout Prize (Rome)
• First Prize — International Photography Salon, Los Angeles
• Published in The First Contemporary Photography Catalogue of Morton
• Artist Proof included in the Cultural Heritage Collection of San Juan de los Baños, Cuba
Edition & Value Structure
This work belongs to a limited edition of only seven certified prints.
The edition follows a progressive valuation model, where each new acquisition doubles the value of the previous one.
This structure protects early collectors while reflecting the growing recognition and scarcity of the work.
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ABOUT SANRIGO
BIO
Rigoberto Torres (Mexico City, 1977), known artistically as @sanrigo, is a Mexican visual artist whose work explores the relationship between symbol, belief, and cultural identity.
Since childhood, image-making has been a central part of his life. He began formal painting studies at the age of six, training in techniques such as watercolor, charcoal, oil painting, sculpture, and pyrography.
This early immersion in visual arts shaped his strong sense of composition and symbolic language.
Over the past three decades, Torres has developed a multidisciplinary practice that moves between photography, staged imagery, and visual narrative, informed by his extensive experience in audiovisual production and creative direction.
His work often examines the power of images as cultural symbols, addressing themes such as faith, collective imagination, and the construction of meaning in contemporary society.
Today, photography occupies a central place in his artistic practice, where he creates carefully constructed images that invite reflection on the relationship between belief, perception, and visual culture.